The opening summer exhibition 10.6.–29.8.2021 at Glasshouse Helsinki gallery space presents Julia Lohmann‘s Japanese sea monster Hidako Ohmu, Megan McGlynn‘s Geo-clouds, Kostas Murkundis‘ dress installation and a video installation ”Arkhipelagos, Navigation the Tides of Time” by IC-98 artist duo. The video installation is part of Helsinki Biennial art event and belongs to HAM’s collections.
Glasshouse Helsinki gallery space is a place for art, design, new ideas, thoughts and innovations.
Glasshouse Helsinki gallery space Aleksanterinkatu 13, 2nd floor, 00100 Helsinki
Ismo Hölttö – Goldsmith of Finnish photography exhibition features Hölttö’s celebrated photos from the 1960s. The iconic Helsinki photos together with powerful portraits taken in the Finnish countryside capture the essence of the social transition and evolution of the 1960s. These images embody the spirit of a nation on the threshold of inevitable change that altered the face of many countries throughout the 19th and 20th centuries: post-war melancholia and sorrowful nostalgia at the loss of agrarian lifestyle, tempered with the optimistic hope of a people transitioning to an urban society.
Summer exhibition 10.6. – 29.8.2021
Summer exhibition 10.6.–29.8.2021
By Glasshouse Helsinki
The opening summer exhibition 10.6.–29.8.2021 at Glasshouse Helsinki gallery space presents Julia Lohmann‘s Japanese sea monster Hidako Ohmu, Megan McGlynn‘s Geo-clouds, Kostas Murkundis‘ dress installation and a video installation ”Arkhipelagos, Navigation the Tides of Time” by IC-98 artist duo. The video installation is part of Helsinki Biennial art event and belongs to HAM’s collections.
Glasshouse Helsinki gallery space is a place for art, design, new ideas, thoughts and innovations.
Glasshouse Helsinki gallery space
Aleksanterinkatu 13, 2nd floor, 00100 Helsinki
View opening hours here
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Ismo Hölttö – Goldsmith of Finnish photography exhibition features Hölttö’s celebrated photos from the 1960s. The iconic Helsinki photos together with powerful portraits taken in the Finnish countryside capture the essence of the social transition and evolution of the 1960s. These images embody the spirit of a nation on the threshold of inevitable change that altered the face of many countries throughout the 19th and 20th centuries: post-war melancholia and sorrowful nostalgia at the loss of agrarian lifestyle, tempered with the optimistic hope of a people transitioning to an urban society.
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